An explosive trio of three nationalities, A Love Electric, hailed as the tomorrow of creative rock by Mexico City's leading newspaper, La Jornada, performs at some of the world's finest rock festivals, jazz clubs, and cultural landmarks. Led by guitarist and vocalist Todd Clouser, a voice recognized as at the forefront of a new generation of genre redefining artists, A Love Electric carries the sonic legacies of psychedelic rock, New York City's downtown scene, and introspective song into new territories. Having performed over 150 concerts in 2013 across three continents, ALE has gained praise from critics and fans of rock, jazz, and experimental musics alike. The Prague Post calls ALE's sound "blistering". Time Out Barcelona writes the A Love Electric experience is "illuminating". NPR calls Clouser "fascinating". For its fourth record, the band brings legendary organist, pianist, keyboardist John Medeski into the mix on the Ropeadope Records release "Son of A Hero" (August 2014). Recorded in Clouser's birthplace of Minneapolis, Minnesota with stops in Woodstock, NY and back to the band's home of Mexico City, "Son of A Hero" was mixed by Grammy Award winner Patrick Dillett (Soul Coughing, David Bryne and St. Vincent) and produced by Latin Grammy winner Hernan Hecht. A Love Electric is Todd Clouser (guitar and vocals), Aaron Cruz (bass), and Hernan Hecht (drums), Hecht a Latin Grammy winner for his work as drummer and producer. The three musicians have performed with Steven Bernstein, Anton Fier, Billy Martin, Cyro Baptista, members of Dire Straits, Keb Mo, Tim Berne, Ely Guerra, and more. In there years of aggressive touring throughout the United States, Germany, Spain, Portugal, the Czech Republic, Mexico, and Argentina, A Love Electric have documented their evolution into creative rock supergroup on three records from Brooklyn, NY's The Royal Potato Family and a solo Clouser album Billy Martin's label, Amulet Records. A Love Electric now sits with a sound and approach all its own, defying category and inspiring audiences with their impassioned and prolific approach to creating. A new generation of idea is here. "a celebration of the creative spirit" - Minnesota Public Radio. "Impressive...modern...draws from fuzzed out acid rock guitars and vintage, laid-back funk" - Time Out NYC. "Next generation of imaginative guitarists" - Vintage Guitar Magazine.
At 23 years old, FERRIS is an exciting rock trio full of soulful energy and charisma. Each member sings, and together they create powerful three-part harmonies. Their original songs show influence from Beatles to Chili Peppers and their cover songs range from fifties rock n’ roll to modern pop. Best known for putting on exciting shows, they are most certainly not shy. FERRIS is extremely entertaining, unique, and memorable. They are the change you wish to see.
Guitarist, DAVE MILLER, has already built a very impressive and wide-ranging roster of collaborations in the short amount of time he has spent in Chicago. From the traditional to the avant-garde, the concert hall to the dive rock bar, Miller leaves no musical stone unturned.He has been a three time consecutive winner in the Union and Civic Arts League of Chicago Jazz Improvisation Competition and was recently featured in Chicago Magazine and the Chicago Reader. In addition to his sought-after, genre-defying talents in guitar performance, Miller has also become respected and heralded as a serious composer, mainly from the output of his experimental indie rock group, Algernon, whose new album, "Familiar Espionage," was just released on ears&eyes Records. Miller is also a member of, among other bands, Ted Sirota's Rebel Souls (Delmark/Naim Records), Zing! (ears&eyes Records), blink. (Thirsty Ear Records), and Tim Daisy's New Fracture Quartet (Multi Kulti Records). Miller has also composed for classical guitar, film, and theatre.
It’s not often in post-millennium times that an 11-year-old guitar player has his life changed through hearing an iconic 1960s soul song. Charlie Oxford was woodshedding on Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan CDs when he first heard Sam Cooke’s “That’s Where It’s At.” And that 1960s buttery soulfulness has become a main ingredient in Oxford’s home-cooked, modern soul-pop. His self-titled debut is sweet and simmering. It’s comfort food for the modern listener, tracing a line from Sam Cooke to pop contemporaries like James Morrison and John Mayer. In the fall of 2011, Oxford completed a Kickstarter campaign and raised an impressive $10,000 to fund his debut. The Nashville-based artist has grown his fan base organically through live performances and word-of-mouth exposure. A highlight for him was performing on the BMI Songwriter Stage at the French Quarter Festival in New Orleans, as well as performing twice at the annual BMI Key West Songwriters Festival. Oxford’s album was produced by Adam Smith (Jason Reeves, Jordin Sparks, Kara DioGuardi, Danny Gokey, L.E.D., Krystal Meyers, The Veronicas, Lovedrug, Megan & Liz, and Britt Nicole) and recorded at Welcome to 1979 Studios and the Evil 8-bit Robot Factory in Nashville. The album features a stunning array of Nashville’s finest musicians playing with sympathetic grace, imbuing each song with just the right dash of musical vitality. Charlie Oxford is an album of love and self-discovery. “I write love songs and songs about finding yourself and getting up and doing something with your life,” Oxford explains. Though he showed promise early on as a gifted guitarist, it would be years before his creativity blossomed into singing and songwriting. “I remember being in Nashville thinking ‘Charlie what the hell are you doing with your life?!” he says with both earnestness and laughter. In a fevered burst of creativity, he penned 50 songs, many through collaborating with his ace producer Adam Smith. Oxford and Smith handpicked 10 of the finest tracks to comprise Charlie Oxford. The album’s opener, “Waiting For,” cooks with poignancy and purposefulness. Oxford sings with honeyed urgency and plays searing blues guitar with authenticity and authority. The track grooves with pent-up but polished musicality, punctuated by a taut horn section and positively redemptive Hammond B3 organ playing. “This is song about seeking out what’s holding you back—be it a day job you hate or your lack of confidence—and freeing yourself to pursue your dreams,” Oxford says. The goose-bump-inducing “Letting Go” begins with moony atmospherics and then swoops up to liberated love transcendence with a soaring chorus. “That’s about being humble and fighting selfishness to embrace love,” Oxford says. The quaint folk of “You & I” is about the flood of light that streams in when you knock down the walls obscuring true love. “It’s a letter about how afraid I am to lose love,” Oxford confides. If Oxford’s writing is confessional, it’s because he discovered his singing and songwriting while in college when he was coming of age. “It was so therapeutic expressing myself in song, it was like conversations with my soul. That period helped define who I am,” he says. Charlie Oxford grew up in Dallas listening to the local oldies station with his dad. As a searching artist, Oxford explored classic 1960s soul and blues rock, the elastic pop-funk of Prince, and the refined modern sensibilities of aforementioned singer-songwriters James Morrison and John Mayer. From age 12, he began his journey, making aesthetic connections to tie these diverse but refreshingly complimentary influences into the distinct sound he’s developed on Charlie Oxford. His time spent in college in New Orleans—he was there when Katrina hit—was extremely influential on his musical self; both the city and the musicians there helped to shape Oxford. “It wasn’t until college when I said, ‘Okay I can do this’ that music really become a calling,’” Oxford says thoughtfully. “To hold the CD in my hands justifies the process of growth. It feels so good to have done this record. I’m so proud of it, and I can’t wait to share it with everyone and show my gratitude for their support.”