Fri, Apr 18 - 9:30pm - $16
Toubab Krewe
Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance – free, questing, overflowing with immediate, tangible life. This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more. While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound.Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own. The fruits of this hard work can be heard on their latest release, TK2, (September 7, 2010 on Nat Geo Music). What Justin Perkins (Kora, Kamelngoni, guitar, percussion), Vic Stafford (drums, congas), Drew Heller (guitar, piano, fiddle), David Pransky (bass, guitar), and Luke Quaranta (Djembe, percussion) have wrought on TK2 reflects the many miles and musical journeys that have transpired since their studio debut.This is a band that actively draws inspiration from whatever source floats into their purview, something they've exhibited in their half decade of heavy gigging, including regular appearances at major U.S. festivals like Bonnaroo, High Sierra, Rothbury and Wakarusa, and abroad at such legendary gatherings as Festival In The Desert in Mali. Their globe-hopping propensity has made them an emerging headliner at their hometown's famous Orange Peel and a familiar face as similar venues throughout the country. Whether on their own or collaborating with luminaries like the Last Poets' Umar Bin Hassan or Uncle Earl's Rayna Gellert, Toubab Krewe has already earned the attention and respect of a broad musical community.Toubab carries echoes of African greats like Ali Farka Toure, Orchestra Baobab and Salif Keita, no doubt picked up during the group's travels to study and live in Guinea, Ivory Coast and Mali. But what truly differentiates Toubab Krewe from other Statesiders inspired by African music is how they innovate on what they've learned instead of simply recreating tradition. Toubab Krewe carves out a new trail honoring the African originators they admire by making something alive and contemporary.From the ragtime piano tinged opener "Mariama" to the percussion fueled, slide guitar glide of "Gine Fare" to the subtle, inviting African echoes of "Konkoba" to the hypnotic, psychedelic slow burn of "Holy Grail," TK2 reveals Toubab Krewe to be rare innovators in a modern age often too ready to settle for more of what's been. Toubab Krewe is happily an exception to this rule, and those willing to take the journey with them are in for one hell of a cool, exciting ride.
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Grood is super-colorful, extra-emotive rock and roll from Chicago. Grood used to be called Savvy, but had tochange its name due to copyright infringement. Grood = Savvy. Savvy = Grood.Besides writing and recording music, Grood has begun to be well known for its live shows. Once a year itperforms a brand new, one time only live performance called "The ACTual Show," where the fans' favorite songsare "acted" out on stage along with the music. This is a 30 performer, multimedia experience that usuallyleaves people scratching their heads, wondering what they just saw.All parts are written and recorded by Charlie Otto, lead singer of Talking Heads tribute "This Must be the Band."Besides pretending to be David Byrne, Charlie spends his time making original music with the help of his fellowThis Must Be the Band member, Kasey Foster (Redmoon Theater).For most of his music, Charlie also enlists the help of superstar drummer/producer Matt Walker (SmashingPumpkins, Garbage, Filter, Morrissey) and slick bass man Alan Berliant (Mavis Staples). They are great.Although Grood strongly suggests you listen to its music, it is also able to describe it, and here it goes:Almost every song is completely dierent from the song before, the only common thread being the groove.There is always a groove, whatever that is. The rhythm is danceable, the chords are lush, the words are images,the singing is thick, the forms are minimal, but there is always the lovely backbeat, because they like it. If thebackbeat is not there, just wait, it will be there soon.Grood generates an amazing amount of content, and you can always count on a new video or rough draftevery couple weeks. Its good stu, just go to the YouTube channel (
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DJ Bashert
World-beat, trip-hop, electro-swing, electronica DJ. DJ Bashert has DJ'd movie premiers, gallery events, salon openings, beach dance parties, and cultural events all over Chicago. He mixes world-beat, trip-hop, electronica, ska, and traditional world music.
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Sat, Apr 19 - 9pm - $10
Tue, April 22 - 7pm - no cover
Wed, Apr 23 - 8pm - $7
Thu, Apr 24 - 8pm - $8
Fri, Apr 25 - 9:30pm - $10
Sat, Apr 26 - 9:30pm - $17
Mon, Apr 28 - 8pm - $7
Tue, Apr 29 - 8pm - $8
Wed, Apr 30 - 9pm - $7
Thu, May 1 - 9:30pm - No Cover
Fri, May 2 - 8pm - $30adv/$40door
Sat, May 3 - 7pm - $20
Mon, May 5 - 8pm - $7
Tue, May 6 - 8pm - $7
Fri, May 9 - 8pm - $20
Thu, May 8 - 7pm - $20
Sat, May 10 - 9:30pm - $12